Welcome to legowelt.org - a free haven for all freaks - floating around in a bubble of cyberspace minding its own business since 1998 ***** Back in Holland thank you to all the wonderful creatures at the @sustain_release festival and the @TheBunkerNY New York I had lots of fun!!! ***** Still something very very exciting-> The Swiss Museum and centre for Electronic Instruments in Fribourg - the largest collection of synths, drummachines, fx, organs numbering around 5000 is doing a kickstarter to raise money for a Playroom so everyone can play with the instruments - to support this project I will be doing an exclusive vinyl album recorded there - the only way to get your hands on this album is by participating with the kickstarter it will not be availabe in any shops - still 12 days to go before the kickstarter ends ! ****OUT NOW ---> Legowelt OMNIBUS BABYLON EP on Clone Records - check it out below!!! ********** Also out now ---> a 2xvinyl LP re-issue of my 2015 RISING SUN - OBERHEIM SPACE album on the Australian ambient SOLANDER records label****** The Agenda section has been updated -> Some upcoming gigs -> 21st of September I play in The Hague at the opening of the Todays Art Festival at the Grote Markt in the Volharding building and the 22nd of September I am in Barcelona to play at the NITSA club with DJ TLR -> Later this year I will be doing an Asia tour playing in China, Japan and Korea - more info about that soon! *************** Ok thats it for today laterzzzzzz !!!!!! ********

Synthstuff Akai AX23

5 June 2015 – Enter the AKAI AX-23, a one off smaller handcrafted ‘artisan’ version of the AX73 synthesiser from Japan ca. 1986. Basically, someone just sawed off two octaves and made it smaller.

The original keyboard spans 6 frickin’octaves (!!!) making it a huge heavy board, which kind of contrasts with the very simple synthesis engine inside .  It is an analog 1 VCO, six voice, polysynth, nothing luxurious or extra can be found in the  enormous case: no arpeggiator, no chord memory, no sequencer  just a very spartanic 1 VCO synth.

It figures that most of the inside of this synth is empty so sawing off half of it is actually easy to do I guess.

It was originally sold to me as an “AX-49” because it had 49 keys instead of the AX-73′ 73 keys. But I don’t like the number 49 that much so I just called it 23 instead. Twenty-Three is the cosmic number of Chaos and I am sure with a lot of calculations the number 23 will make sense in this matter (73 – 49 = 24…uh that doesn’t work but 73 = ( 7+3 ) = 10  +  49  (4+9) = 13 and 10 + 13 is 23 psychotic gematria always works in the end.

Programming is extremely simple even though there are no dedicated sliders (thats for amateurs or toddler babies anyways!) U select the thing u want to program from the numeral pad and change it with the slider. The easiness of programming also stems from the fact that there isn’t much to program. We have 1 VCO, 1 filter, 1 LFO, 2 envelopes, Chorus and some minor other usual synth bits.  If you know a bit about synthesizers u don’t have to read the manual it all explains itself, always a sign of good synth interface design.

The sound itself is decent for having just 1 VCO, its very rough yet evolving and musical (Try setting the PWM speed low and assigning a random LFO on the pitch very gently…instant warbled VHS video recorder Boards of  Canada warbling pad heaven!). Scary nature type sounds can be created too with ease, thanks to its very cool sounding noise generator. Its easy to make rather “convincing” howling wolves and wind sounds with just a few button presses. Squelchy science FX bleeps and lasers are a piece of cake too.

One of the most unique things is that it has Filter FM with which you can make extremely harsh metallic voices. I am normally not a big fan of these things, but on the AX it sounds rather sweet.

Another cool thing is the resonance of the filter which starts self oscillating at 50% already! Leaving u with a royally large amount of another 50% to roam in the filter feedback harmonic zone.

There is a Unison and dual mode too, in which you can detune the 6 oscs and make  boring hummer bro super saw sounds.  I never understood Unison modes it makes everything sound fake plastic and ugly. Like badly drawn tribal tattoos and trampstamps.

As it was made during the reign of the cult Akai S900 sampler, it is possible to connect one to the AX with a special cable (a very rare, extremely difficult to obtain, cable).  You can  then process the S900’s samples with the AX’s filter and some other stuff. Rumor has it that this external sampler input is easily modifiable with normal jack inputs so you can put in any audio signal.

Here are some audio demos, just doodling around and changing some parameters on the fly:

Some synthetic Satie – perfect for the typical Akai AX synth sound, evolving and raw

Synthetic Satie

Howling wolves in the wind

Melancholic Synth Brass

VCO polysynth action

Splashing out on polyphony with an Akai credit card

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